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Description
Corpses, Fools and Monsters: The History and Future of Transness in CinemaA radical history of transness in cinema, and an exploration of the political possibilities of its future. In the history of cinema, trans people are usually murdered, made into a joke, or viewed as threats to the normal order relegated to a lost highway of corpses, fools, and monsters. In this book, trans film critics Caden Mark Gardner and Willow Catelyn Maclay take the reader on a drive down this lost highway, exploring the way that trans people
A radical history of transness in cinema, and an exploration of the political possibilities of its future. In the history of cinema, trans people are usually murdered, made into a joke, or viewed as threats to the normal order -- relegated to a lost highway of corpses, fools, and monsters. In this book, trans film critics Caden Mark Gardner and Willow Catelyn Maclay take the reader on a drive down this lost highway, exploring the way that trans people and transness have evolved on-screen. Starting from the very earliest representations of transness in silent film, through to the multiplex-conquering Matrix franchise and on to the emergence of a true trans-authored cinema, Corpses, Fools and Monsters spans everything from musicals to body horror to avant garde experimental film to tell the story of the trans film image. In doing so, the authors investigate the wider history of trans representation -- an exhilarating journey of compromise, recuperation, and potential liberation that they argue is only just the beginning.Author: Willow Maclay,Caden Gardner
Publisher: Repeater
Published: 07/09/2024
Pages: 340
Binding Type: Paperback
Weight: 0.84lbs
Size: 8.52h x 5.35w x 0.96d
ISBN: 9781914420580
About the Author
Willow Catelyn Maclay is a freelance film essayist and critic. She has written for the Village Voice, MUBI, Vulture and Roger Ebert.com. She contributed to the film anthologies Laura's Ghost: Women Speak About Twin Peaks and She Found it at the Movies: Women Writers on Sex, Desire and Cinema.
Caden Mark Gardner is a freelance trans film critic and researcher on trans film images. He has written for the Criterion Collection, MUBI, Film Comment, Reverse Shot, and other film outlets in the United States.
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★★★★★ 4
Great product
Color: Black, Size: 4 Panel-88''
Love the look of this after it’s put together. It’s pretty sturdy and the connecting clips allow you to shape it different if you need it to fit in a corner. We use this at work so it’s great for the space we use it in. A little hard to store because it doesn’t fold up nicely because of the feet on it but I’m happy with it overall.
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Reviewed in the United States on April 19, 2026
★★★★★ 3
Does its job
Color: Black, Size: 4 Panel-88''
For the price the quality is decent. The only thing I do not love is the panels are attached to each other with 3 plastic clips. Only 1 side of the panel is actually attached to wheels. The other side kind of sits on the bar and is held in place with those clips.
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Reviewed in the United States on May 12, 2026
★★★★★ 5
Worth purchasing
Color: Black, Size: 4 Panel-88''
This is perfect definitely worth the money. It’s very easy to put together. It’s terrible material. The quality and appearance is great. It gives that privacy that you need It’s definitely worth the purchase.
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Reviewed in the United States on March 30, 2026
★★★★★ 5
Easy to assemble
Color: Black, Size: 4 Panel-88''
Fairly easy to assemble
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Reviewed in the United States on May 16, 2026
★★★★★ 5
Great product
Color: Black, Size: 4 Panel-88''
Love this
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Reviewed in the United States on April 23, 2026